Each canvas is treated as a slide and mouse clicks or arrow keys are used to navigate among them. When invoked OmniGraffle Pro enters a full screen mode that hides all tools and inspectors and shrinks the diagram to fit on screen if necessary. Presentation mode offers a simple way to present diagrams to others. Taken together, both of these features can help attain consistency when producing several iterations of a diagram. Layer sharing places the selected layer in every canvas of the current document, akin to a master slide in a presentation program.
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Invoked from the Canvas settings, Manual Guides can be specified with custom colors, optionally locked in place, and dragged to other canvases in your document. Complimenting traditional guides that can be dragged out of a ruler are Manual Guides. The Omni Group has added a few features to facilitate consistency among the canvases in a given document. Text running along a line can now follow curved paths, adding some refinement to complex diagrams. Because combinations are reversible, you can revert back to independent shapes at will.
Controls for combining multiple shapes make it possible to join or intersect any number of objects on a layer, alleviating the need to switch to image editing software for basic mask effects.
Some welcome additions to the OmniGraffle Pro toolbox have been introduced. A refreshed user interface and full support for Retina displays help OmniGraffle Pro 6 stay as useful as ever. To be sure, OmniGraffle Pro 6 looked great on every display I tried, but my preferred two-screen setup with the document on the main display and palettes on the second is no longer an option. The decision to scrap the floating palettes likely has to do with OmniGraffle Pro’s improved support for high-density displays Apple calls Retina.
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